Escaping Germany in the 1930s photojournalist Erich Hartmann returns to his homeland to capture the remains of the Nazi concentration camps
"A large portion of my work is concerned with people because people are the most inventive and news-making part of our lives. Yet I am as much attracted to the evidence of their presence and efforts, whether good or evil, as I am to the people themselves"
- Erich Hartmann
Born in Munich, Erich Hartmann was 16 years old when he went with his family in 1938 to Albany, New York, as a refugee from Nazi Germany. The only English speaker in the family, he worked in a textile mill, attending evening high school and later taking night courses at Siena College.
Hartmann enlisted in the US Army, serving in England, France, Belgium and Germany. At the end of the war, he moved to New York City, where he worked as an assistant to a portrait photographer and then as a freelancer.
Hartmann first became known to the wider public through his work for Fortune magazine in the 1950s. His poetic approach to science, industry and architecture shone through the photo essays Shapes of Sound, The Building of Saint Lawrence Seaway and The Deep North. He later did similar essays on the poetics of science and technology for French, German and American Geo and other magazines.
Invited to join Magnum in 1952, he was for many years on the board of directors, becoming president in 1985.
Throughout his career, he pursued many long-term personal projects, and photographic interpretations with literary echoes: Shakespeare’s England, Joyce’s Dublin, Thomas Hardy’s Wessex. He also explored abstract representations of ink drops in water, patterns of laser light, and the beauty of tiny components of technology. In his later years, he photographed the remains of the Nazi concentration camps, resulting in a book and exhibition, In the Camps. At the time of his death, he was engaged in a photo project, he called Music Everywhere.