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Theory & Practice

Newsha Tavakolian: On Patience and Portraiture

Newsha Tavakolian

Arts & Culture

Alex Majoli on Artists and the Rewards of Environmental Portraiture

Theory & Practice

Alessandra Sanguinetti: On Youth and Portraiture

Alessandra Sanguinetti

Theory & Practice

Inge Morath’s First Months at Magnum

Inge Morath

Newsroom

Narratives of the Unseen

Theory & Practice

20 Dirhams or 1 Photo?

Susan Meiselas

Newsroom

Eleven Voices: Antoine D’Agata’s Vision of Contemporary Belfast

Antoine d’Agata

Arts & Culture

Dressing Up: Through the Magnum Archive

Arts & Culture

Samuel Beckett: the elusive writer fleetingly captured in the Magnum Archive

Theory & Practice

Mexico Retold

Jérôme Sessini

Arts & Culture

Magnum On Set: Charlie Chaplin’s Limelight

W. Eugene Smith

Arts & Culture

Andy Warhol and the Camera

Magnum Photographers

Arts & Culture

A New Age

Arts & Culture

Proselytizing a New Way to Be Free: Elliott Landy’s Music Photography

Elliott Landy

Theory & Practice

Déjà Vu in Houston’s Third Ward

Colby Deal

Theory & Practice

Alec Soth: Cleansing the Visual Palate

Alec Soth

Arts & Culture

In the Studio: An Afternoon at Ghost Ranch with Georgia O’Keeffe

Philippe Halsman

Theory & Practice

Omaha, Nebraska: American Masculinity in the Political Maelstrom

Gregory Halpern

Newsroom

Six Romanias

Theory & Practice

Photographing Social and Geographical Isolation Between Siberia and the Ruhr

Nanna Heitmann

Theory & Practice

Watch: Bruce Gilden on New Yorkers and Childhood Inspirations

Bruce Gilden

Theory & Practice

“I am the pace of New York” – The Rewards and Pitfalls of Photographing the Familiar

Bruce Gilden

Arts & Culture

Cops, Uniforms, and the Visualisation of Power

Christopher Anderson

Arts & Culture

Looking Elsewhere: On Philippe Halsman’s Portraits of Vladimir Nabokov

Philippe Halsman

Theory & Practice

On Entering the Photography Industry

Newsroom

Tim Hetherington’s Sleeping Soldiers

Tim Hetherington

Arts & Culture

Thomas Hoepker’s Champ

Theory & Practice

Jacob Aue Sobol: Close Enough to Make a Portrait

Jacob Aue Sobol

Theory & Practice

Lindokuhle Sobekwa’s Documentation of South Africa’s Drug Epidemic and the Aftermath of Violence

Lindokuhle Sobekwa

Arts & Culture

Gentlemen’s Club Bangkok

Cristina de Middel

portraiture

Newsha Tavakolian: On Patience and Portraiture

Newsha Tavakolian

Alex Majoli on Artists and the Rewards of Environmental Portraiture

Alessandra Sanguinetti: On Youth and Portraiture

Alessandra Sanguinetti

Inge Morath’s First Months at Magnum

Inge Morath

Narratives of the Unseen

20 Dirhams or 1 Photo?

Susan Meiselas

Eleven Voices: Antoine D’Agata’s Vision of Contemporary Belfast

Antoine d’Agata

Dressing Up: Through the Magnum Archive

Samuel Beckett: the elusive writer fleetingly captured in the Magnum Archive

Mexico Retold

Jérôme Sessini

Magnum On Set: Charlie Chaplin’s Limelight

W. Eugene Smith

Andy Warhol and the Camera

Magnum Photographers

A New Age

Proselytizing a New Way to Be Free: Elliott Landy’s Music Photography

Elliott Landy

Déjà Vu in Houston’s Third Ward

Colby Deal

Alec Soth: Cleansing the Visual Palate

Alec Soth

In the Studio: An Afternoon at Ghost Ranch with Georgia O’Keeffe

Philippe Halsman

Omaha, Nebraska: American Masculinity in the Political Maelstrom

Gregory Halpern

Six Romanias

Photographing Social and Geographical Isolation Between Siberia and the Ruhr

Nanna Heitmann

Watch: Bruce Gilden on New Yorkers and Childhood Inspirations

Bruce Gilden

“I am the pace of New York” – The Rewards and Pitfalls of Photographing the Familiar

Bruce Gilden

Cops, Uniforms, and the Visualisation of Power

Christopher Anderson

Looking Elsewhere: On Philippe Halsman’s Portraits of Vladimir Nabokov

Philippe Halsman

On Entering the Photography Industry

Tim Hetherington’s Sleeping Soldiers

Tim Hetherington

Thomas Hoepker’s Champ

Jacob Aue Sobol: Close Enough to Make a Portrait

Jacob Aue Sobol

Lindokuhle Sobekwa’s Documentation of South Africa’s Drug Epidemic and the Aftermath of Violence

Lindokuhle Sobekwa

Gentlemen’s Club Bangkok

Cristina de Middel