"Photographs are monuments."

- Peter van Agtmael

b. 1981

American/Dutch

Based in New York, USA

Member

Available for commissions
& assignments

Peter van Agtmael was born in Washington, DC, in 1981. He was 20 years old and studying history at Yale on 9/11, an event that was pivotal in shaping his career. Shortly after graduating, he began documenting the United States at war and at home, which continues to be the anchor of his work.

Van Agtmael is known for his deeply affecting, sometimes surreal images, which explore themes of conflict, history, memory, nationalism, militarism, race, and class. He has spent more than 15 years covering US wars from both sides and countless angles, from embedding with military forces in Iraq and Afghanistan to covering the civilian cost of the wars. He has also extensively documented the Israel/Palestine conflict.

Along with ongoing personal projects, Van Agtmael has photographed for many leading publications, including the New York Times Magazine, where his images have been featured on multiple front covers. His work is held at the International Center of Photography, Museum of Fine Arts in Houston, Deutsche Börse Photography Foundation, and Yale University Art Gallery. He is the author of five books, 2nd Tour: Hope I Don’t Die (2009), Buzzing at the Sill: Peter van Agtmael (2016), 2020 (2020), Sorry for the War (2020), and Look at the U.S.A.: A Diary of War and Home (2024).

Van Agtmael is the recipient of numerous awards, including the Guggenheim Fellowship, the W. Eugene Smith Fund Grant, the ICP Infinity Award for Young Photographer, the LUMIX FREELENS Award, the Aaron Siskind Grant, and several World Press Photo Awards. Since 2014, he has been a mentor in the Arab Documentary Photography Program in Beirut. Van Agtmael joined Magnum Photos in 2008 and became a full member in 2013.

Selected works

News

A Diary of War and Home

Peter van Agtmael

In a new photobook published by Thames & Hudson, Peter van Agtmael shares a harrowing personal account of the post-9/11 era, at war and at home

Open story
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