The Magnum Digest: May 18, 2018
Magnum photographers share what 'home' means to them, Susan Meiselas’s Paris retrospective comes to a close, and more from the global collective this week
‘Home’ opens in London
An exhibition that invites Magnum photographers to share what the concept of ‘home’ means to them opened this week in London. Taking place at the Vinyl Factory, FUJIFILM Home features the work of 16 Magnum photographers, demonstrating the breadth of style and approach that is typical of the collective. The British Journal of Photography spoke to the project’s curator Pauline Vermare, who said: “It was an invitation to look inward and outward. Home – an inherently intimate and introspective subject matter – was also a formidable challenge to take on; for the past seventy years, Magnum photographers have predominantly been looking into the lives of others – and seldom looking into their own.” Read the feature here. The Guardian have also published a gallery of the work, which you can see here.
A Visual History of ISIS
The new free publication curated by Magnum’s Peter van Agtmael, Magnum Chronicles: A Brief Visual History in the Time of ISIS, has been reviewed on TIME by Fred Ritchin, renowned photography writer and dean of the School at ICP. “It is a helpful slowing down from the 24/7 swirl of information, via a medium that is itself invested in fractional seconds, coupled here with the old-fashioned staying power of newsprint,” he writes.
Find out more about the story behind the making of this first edition of Magnum Chronicles on the Stack Magazines podcast, as Magnum’s Director of Special Projects Francesca Sears joins the show to discuss how the ambitious undertaking came together.
Ending Soon: Susan Meiselas in Paris
Susan Meiselas’s epic retrospective show at the Jeu de Paume in Pairs closes on May 21. The exhibition showcases some of the most important works from the photographer’s career, including Carnival Strippers, Nicaragua, Prince Street Girls, and Pandora’s Box. As the exhibition draws to a close, and before it heads to SFMOMA, Susan Meiselas spoke to The Art Newspaper about her practice. “I am directed by where I want to go, where I want to stay, where I want to go back to,” she tells the publication. Read the interview here.
Lakes on National Geographic
Newsha Tavakolian photographed the formerly popular Iranian tourist spot of Lake Urmia for National Geographic. The saltwater lake was a haven for birds and bathers but the number of visitors has fallen as the lake has shrunk by 80 per cent since the 1980s, raising fears that this will be the last generation to play in its waters. Read the article here.
A Very British Holiday
Recalling the heyday of British holiday park Butlins, The Guardian looked back at Martin Parr’s photograph from 1972, during Parr’s first year of work when he still worked in black and white. Read the feature here.