The Shipping Forecast • Mark Power • Magnum Photos

Magnum Pro

Editorial Cultural Commercial Search Image Archive

Welcome to the New Magnum Photos Site

Explore the award-winning storytelling work of Magnum photographers here, or head to Magnum Pro to search and license photos from Magnum’s acclaimed image archive.

CONTINUE TO NEW SITE
SEARCH PHOTO ARCHIVE IN MAGNUM PRO
Society

The Shipping Forecast

How the enigmatic British radio broadcast inspired a series devoted to landscapes of the imagination and romantic notions of Britain's island status

Mark Power

Mark Power WIGHT. Saturday 18 February 1995. Northwesterly backing southwesterly 6 or 7, increasing gale 8 for a time. Showers then rain. Good becoming moderate or poor. © Mark Power | Magnum Photos

The Shipping Forecast is a British institution. Broadcast four times a day on BBC Radio 4, it splits the waters of Western Europe into 31 sea areas encompassing the UK, from Dover to Southeast Iceland to German Bight. Beyond its practical and still-crucial use to mariners (indeed it can mean the difference between life and death for those at sea) it is also listened to by millions of people who tune in simply to hear the soft, measured cadences of the voices that present it day after day. Poetic and spare, clipped clusters of words conjure up visions of seemingly abstract, far-off places. Wintery Showers. Occasional rain. Good becoming moderate. Mainly fair. There’s a particular comfort in listening to the haunting toll of the forecast; knowing that there are forces far greater than us operating beyond our island’s shores.

Mark Power BISCAY. Saturday 27 July 1996. Northerly 4 or 5 backing northwesterly 3. Mainly fair. Moderate with fog patches in north. © Mark Power | Magnum Photos
Mark Power CROMARTY. Wednesday 18 August 1993. Variable 3 or less, becoming southwesterly 3 or 4, occasionally 5. Occasional rain later. Mainly good. © Mark Power | Magnum Photos

It’s been almost three decades since Mark Power began his seminal project The Shipping Forecast, conceived in response to the esoteric language of the service. Recalling his initial impulses to make the project he says, “While the forecast, or at least our version of it, uses words we understand, the actual meaning of each sentence remains elusive, unless of course your life depends upon it. I was looking for pictures that were visual metaphors for the spoken words… somewhat difficult to understand and not at all self-explanatory, usually because I would intentionally leave out contextual information. Also, the poetic and mantra-like delivery of the broadcast is unashamedly romantic and beautiful, so I tried to make beautiful images as well.”

Mark Power DOVER. Friday 6 August 1993. Northwesterly 5, becoming variable 3. Fair. Good. © Mark Power | Magnum Photos
Mark Power FAIR ISLE. Sunday 28 January 1996. Southeasterly 4 or 5, occasionally 6 in southwest at first. Mainly fair. Good. © Mark Power | Magnum Photos
Mark Power FASTNET. Monday 10 April 1995. Southwesterly 3 or 4. Fair. Moderate or good. © Mark Power | Magnum Photos
Mark Power GERMAN BIGHT. Sunday 27 August 1995. Northwesterly veering northerly, 5 to 7, decreasing 4 for a time in east. Squally showers. Good. © Mark Power | Magnum Photos
Mark Power HEBRIDES. Friday 27 August 1993. Southwesterly 3, increasing 4 or 5, occasionally 6. Drizzle with rain later. Good becoming moderate with fog patches. © Mark Power | Magnum Photos

"The project was about those of us – and we are in our millions – who, through the Forecast, experience a reinforced sense of ‘Britishness'."

- Mark Power
Mark Power HUMBER. Saturday 13 July 1996. Southwesterly veering northwesterly 4 or 5. Occasional drizzle. Moderate with fog patches. © Mark Power | Magnum Photos
Mark Power LUNDY. Monday 15 August 1994. Variable 3 or 4. Fair. Good. © Mark Power | Magnum Photos

The Shipping Forecast, with its status as a sort of harbinger of what’s ‘out there’, is almost talismanic for safety and protection, and Power’s photographs – black and white, enigmatic and brooding – offer a complementary dichotomy of romance and threat; oscillating between whimsy and foreboding as storm clouds merge above the people he photographs. And it’s people that are the main focus of this project. In a collection of fragmented moments, figures gather together and meander, as if somnambulating, through the frames. With shorelines, horizons and beaches – places tinged with both collective and personal nostalgia – often forming the backdrops to his photographs, the project works as a sort of chronicle of social theatre too. Each image is captioned with the 0600hr forecast on the day they were taken.

Mark Power MALIN. Monday 6 September 1993. Southeast backing easterly 4 or 5, increasing 6 in south. Mainly fair. Moderate or good. © Mark Power | Magnum Photos

“It’s often said that the best place to listen to the Shipping Forecast, especially the midnight broadcast, is in a cosy bed with wind rattling windows and rain lashing down outside. There’s something deeply romantic about that, imagining those at sea while tucked up safe and warm,” Power muses. “Of course, those of us who live on an island take the sea for granted, and I find it impossible to imagine it otherwise. Yet other countries use the same forecast, albeit in a different language. It may be that the Meteo Marine has the same cultural significance in France… but somehow I doubt it.” It’s those romantic notions of Britain and its island status Power set out to probe. “I was interested only in photographing people like myself – ‘landlubbers’ if you like – and not heroic sailors or fishermen,” he says. “The project was about those of us – and we are in our millions – who, through the Forecast, experience a reinforced sense of ‘Britishness’.”

Mark Power PLYMOUTH. Friday 12 August 1994. North or northwest 3 or 4. Mainly fair. Moderate or good. © Mark Power | Magnum Photos
Mark Power SOUTH EAST ICELAND. Wednesday 14 August 1996. Southwesterly 3 or 4, backing easterly 7, perhaps gale 8 later. Rain later. Good becoming moderate or poor. © Mark Power | Magnum Photos
Mark Power SHANNON. Tuesday 11 April 1995. Northwesterly 4 or 5, becoming variable 3. Drizzle at first. Poor becoming good. © Mark Power | Magnum Photos
Mark Power SOUTH UTSIRE. Saturday 5 August 1995. West or northwest 3 or 4, occasionally 5 later. Drizzle at times. Moderate with fog patches. © Mark Power | Magnum Photos

"I was looking for pictures that were visual metaphors for the spoken words"

- Mark Power
Mark Power THAMES. Sunday 7 January 1996. Southeasterly veering southwesterly 5 to 7. Rain then showers. Moderate or poor becoming good. © Mark Power | Magnum Photos

The Shipping Forecast took Power four years to complete, and he travelled to each of the 31 areas. “I’m one of those photographers who tends to work out what I’m doing simply by doing it,” he says. “If I’d really thought through the idea of how I’d reach so many far-flung places I probably wouldn’t have started in the first place. But I’ve never been good at logistics.” He was surviving on little money at the time and the chances of reaching some of the further afield places seemed unlikely. Three years into the project however, he won a prize for European photography from Luxembourg, and his fortunes changed. The irony of receiving the prize from a landlocked country with no coastline, and therefore no Shipping Forecast, was not lost on him. “For them, conceptually, the work would have meant nothing,” he says. Nevertheless, the value of the project was clear, and the $25,000 he won allowed him to finish the project, put something towards his book and produce an exhibition with an intricate sound installation.

Mark Power TRAFALGAR. Monday 13 June 1994. Northeasterly 5 to 7, occasionally gale 8. Fair. Good. © Mark Power | Magnum Photos
Mark Power TYNE. Tuesday 27 July 1993. South 3 veering southwesterly 4 or 5. Occasional rain. Moderate occasionally poor. © Mark Power | Magnum Photos

Power’s own image of the Shipping Forecast has changed over the years, and when asked if he would do it differently now he says, “Inevitably, but I can’t say exactly how. My work has evolved since then; it’s quieter and more reflective now. All that action is the work of a younger photographer.” Recently he has been reassessing the work with a view to making a new version of it someday. “There are pictures I made back then that I’m astonished I didn’t include in the book, while there are others I wish I’d left out.” In 2017, Radio 4 celebrated the Forecast’s 150th anniversary, and there’s everything to suggest it’s more popular than ever. Likewise, Power’s images have remained culturally significant all this time too, beloved by people far beyond what he refers to as the “photography ghetto”. That’s something, he says, he remains very proud of.

The Shipping Forecast by Mark Power will be at the Waterfront Gallery, University of Suffolk, Ipswich, UK, May 24, 2018 – June 24, 2018
It is the signature exhibition of the second PhotoEast festival.
Mark Power WIGHT. Sunday 17 March 1996. Variable becoming southeasterly 3. Mainly fair. Moderate becoming good. © Mark Power | Magnum Photos