Alessandra Sanguinetti began working back home in Argentina, on what became On the Sixth Day (2005), which explored the relationship between humans and domesticated animals in the countryside south of Buenos Aires. Five years into the project, she turned her attention to two nine-year-old cousins, Belinda and Guille, who lived on neighboring farms.
Sanguinetti has also published Sorry, Welcome (2013), a meditation on family life; Le Gendarme sur la colline (2017), the result of an Hermès/Aperture commission; and Some Say Ice (2022), a portrait of people, places and animals in the small Midwestern town of Black River Falls, Wisconsin, her confrontation with photography’s uneasy relationship to life and death.
She is currently completing work on the daily life of Palestinian society under the decades-long land and water theft, human rights violations, military occupation, and genocide of the Palestinian people by the Israeli and United States governments. Sanguinetti joined Magnum Photos in 2007 and became a full member in 2010.
Jim Goldberg’s innovative and multidisciplinary approach to documentary makes him a landmark photographer and social practitioner of our times. His work often examines the lives of neglected, ignored, or otherwise outside-the-mainstream populations. Through long-term, in-depth collaborations, his work investigates the nature of universal myths about class, power, and happiness.
Goldberg’s work is in numerous private and public collections, including New York’s Museum of Modern Art, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the J. Paul Getty Museum, and the Los Angeles County Museum of Art. He is the recipient of numerous awards, including three National Endowment for the Arts Fellowships, a Guggenheim Fellowship (1985), the Henri Cartier-Bresson Award (2007) and the Deutsche Börse Photography Foundation Prize (2011). Goldberg has been a member of Magnum Photos since 2006 and is Professor Emeritus at the California College of the Arts.
Sarah Allen is Head of Programme at South London Gallery (SLG). At the SLG she has curated or co-curated: Yto Barrada (2025); Acts of Resistance: Photography, Feminisms and the Art of Protest (2024); Lagos, Peckham, Repeat (2023) and Rene Matić, upon this rock (2022).
Previously she worked at Tate Modern curating or co-curating Zanele Muholi (2020); Sophie Taeuber-Arp (2021); Nan Goldin (2019) and Shape of Light: 100 Years of Photography and Abstract Art (2018). She sits on the Board of Belfast Photo Festival.
