Miguel Rio Branco

usly been a painter, a photographer a filmmaker. His first painting exhibition was in Bern in 1974, while he was living in Switzerland. Two years later, he moved to New York, where he earned his Bachelor of Arts, continued to paint, and took a one-month vocational course at the New York Institute of Photography. In 1978, he continued his studies in Rio de Janeiro, at the Escola Superior de Desenho Industrial, before launching into a career in photography and film.

Rio Branco was a freelance photographer and director of photography for movies when he embarked on documentary photography and was soon noticed for the dramatic quality of his color work. In 1980, he became an associate with Magnum Photos. Fascinated by places of strong contrast, in the power of tropical colors and light, he made Brazil his main area of exploration. In 1985, he published Dulce Sudor Amargo, a book in which he drew a parallel between the sensual, vital side of Salvador da Bahia and the historical side of the city, which, at the time (1979) was inhabited by prostitutes and the fringe elements of society. It is an essay on life and death, on the scars left behind by time and by living. The photographer’s fascination for these places of strong contrast essentially resides in the power of the tropical colors and light, which he conveys by means of his pictorial sensibility.

Rio Branco's obsession with the material power of images continued with Nakta in 1996, a book exploring the theme of bestiary in man and animal that marked a move away from a documentary approach. He followed this with a visual and poetic project fueled by a happy encounter with Louis Calaferte’s poem “Nuit Close”, a collaboration that won the Prix du Livre Photo in Arles. Silent Book, published in 1997, presents tableaux of bodies and spaces affected by time; decrepitude is magnified by the light, and wounded flesh, aging, and death haunt the work through earthy and blood red colors.

His book Entre os Olhos o Deserto demonstrates an evolution towards a hybrid form using photography and video images extracted from Rio Branco's experimental films. Similarly, his exhibitions function as installations, a concept that is crucial to his work, so that – without neglecting the importance of the single image – creating a discourse through images is the final aim.  As his latest book and exhibition, Plaisir la douleur, confirms it.

Awards

1997        Prix du Livre Photo, Rencontres Internationales de la Photographie, Arles, France 1994        VITAE grant (for series Santa Rosa) 1988        Brazilian Film Festival (Best Director of Photography for Memoria Viva and                Aboliçao), Brasília, Brazil 1986        Special Prize for video Apaga-te-Sésamo, Festival International Short Films,                Salvador do Bahia, Brazil 1982        Prix Spécial du Jury and the International Critics Award, XI Festival du Film                de Court Métrage et du Film Documentaire, Lille, France 1982        Prix Kodak de la Critique Photographique, Paris, France 1980        Grand Prize of the Photography Triennial, Museum of Modern Art, Sao Paulo, Brazil

Exhibitions

2005        Plaisir la douleur - Maison européenne de la Photographie, Paris, France 2004/05   Gritos Surdos - Galeria Milan Antonio, Sao Paulo, Brazil;                Rencontres Internationales de la Photographie, Arles, France 2003        Door in Darkness - Aperture's Burden Gallery, New York, USA 2002        Objetos Diretos - Galeria Paulo Fernandes, Rio de Janeiro, Brazil 2001/05   Nakta - Galeries Fnac Rio de Janeiro, Brazil; Toulouse, France; Paris, France      2001        Gritos Surdos - Centro Portugueses de Fotografia, Porto, Portugal 2000        Door into Darkness - Hellenic American Union, Athens, Greece 2000        Pele do Tempo - Centro de Arte Hélio Oiticica, Rio de Janeiro, Brazil 2000/04   Beauty the Beast - William Benton Museum, University of Connecticut,                USA; Art Institute of Boston, USA; Haggerty Museum of Art,                 Marquette University, Milwaukee, USA 1999/01   Entre los Ojos - Fundacion La Caixa, Barcelona, Spain; Fundacion                La Caixa, Palma de Majorque, Spain; Centro Insular de Culura, Las Palmas                de Gran Canaria Spain; Sala de Exposiciones Alameda, Malaga, Spain;                Colexio de Fonseca, Santiago de Compostella, Spain, Centro Cultural de la Villa,                Madrid, Spain 1997/98   Nakta - D'Amelio Terras Gallery, New York, USA; Galleria Oliva Arauna,                 Madrid, Spain; Rena Bransten Gallery, San Francisco, USA 1993/96   Out of  Nowhere - Ludwig Forum, Aachen, Germany; IFA Gallery, Stuttgart,                Germany; Museu de Arte Moderna do Rio de Janeiro, Brazil; Fotografie Forum ,                 Frankfurt, Germany 1993        Bestiario - Centro de estudios Romulo Gallegos, Caracas, Venezuela 1991        Petites réflexions sur une certaine bestialité - Rencontres d'Arles, France 1988        Suadouro - Galerie 1900-2000, Paris, France 1987        Coraçao espelho da carne - Fotoptica, Sao Paulo, Brazil; Fotogaleria Funarte,                Rio de Janeiro, Brazil 1985        Coeur miroir de la chair - galerie Magnum, Paris, France 1978/79   Negativo Sujo - Escola de Artes Visuals, Rio de Janeiro, Brazil; Theater Castro                Alves, Salvador do Bahia, Brazil; Nucleo de Arte Contemporanea, Joao Pessao,                Brazil, Museu de Arte, Rio de Janeiro, Brazil 1974        Photographs - Galeria Grupo B, Rio de Janeiro, Brazil     

Books

2005        Plaisir la douleur, éditions Textuel,  France 2002        Entre os Olhos, o Deserto, Cosac & Naify, Brazil 2002        Gritos Surdos, Centro Portugues de Fotografia, Portugal 1999        Pele do Tempo, Centro de Arte Hélio Oiticica, Brazil 1998        Miguel Rio Branco, Aperture, USA 1997        Silent Book, Cosac & Naify, Brazil 1996        Nakta, Multiprint Grafica e Editoria Ltda., Brazil 1985        Dulce Sudor Amargo, Fondo de Cultura Economico, Mexico  

© Miguel Rio Branco | Magnum Photos