In person viewing in London: from 4 June to 23 July 2021. Then from 6 to 10 September 2021 to coincide with Photo London.
The Magnum Gallery presents Metamorphoses, an exhibition of works by the avant la lettre queer German photographer Herbert List, staged at its 63 Gee Street location and here.
The artist’s first solo exhibition in the UK in five years, Metamorphoses explores themes of mythology, the male body, and Greek sculpture.
Metamorphoses will coincide with London Gallery Weekend, staged from 4 to 6 June 2021 and Photo London in September.
The myths of Apollo and Daphne, Echo and Narcissus, the Minotaur, all narrated in Ovid’s fundamental tales The Metamorphoses, appear as underlying themes in List’s remarkable photographs, less in subject matter than as a result of the photographer’s modus operandi of shooting friends and lovers. Spanning from 1933 to 1958, these black and white photographs also instantly recall the myth of Pygmalion, a Cypriot sculptor, who carved a statue out of ivory that he found so beautiful and realistic he fell in love with it. Imploring Aphrodite to give him a bride in similar shape and form to his newly-created artwork, Pygmalion returned to his studio to find out that his sculpture had been miraculously brought to life. Parallels between the sculptor and his model become beautifully apparent in one image from 1949, where Swiss painter and model Rolf Duerig gracefully poses in front of an imposing Roman bust. Elsewhere, taking centre stage in the exhibition, is ‘Young man with laurel over the eyes’, 1936, an image which almost symbolically reenacts Daphne’s transformation into a laurel tree.
Born in Hamburg in 1903, Herbert List left Germany in 1936 to seek refuge from the rise of Nazism. Living between Paris and Athens from 1937, he settled in the Greek capital following the outbreak of World War II. He travelled extensively to the Peloponnese and the islands, seeking a highly personalized yet antiquity-inspired modernist depiction of Greece. Atmospheric light, radical crops and expressive perspectives shaped List’s vision of Greek architecture, artworks and men. His vision of Greece consists of subjective imagery rich in subtext and sensuality. It allows the viewer to feel, taste, and bathe in the atmosphere of List’s personal encounter with the Mediterranean.
The works on view were previously exhibited at the Sainsbury Centre for Visual Arts (SCVA) in 2019 as part of the exhibition The Body Observed.
Please book your appointment to view the in-person exhibition in London here.
Borrowing its title from Ovid’s epic poem, Metamorphoses focuses on transformation. It seeks to explore the complex relationship between List’s prolific depiction of sculptures, his sensual images of men, and the blurred line between them.
“Like drawing, photography is the art of leaving out: one is made to stand for the many, the right detail for the whole, clear, concentrated form for profusion, and for a situation or action, the symbol. Less is almost invariably more.” Herbert List in 1943.
Sensuality, desire and passion are fully evident through these views of men. List's work candidly celebrated his homosexuality. List’s photographs demonstrate the possibility of open love and friendship among same-sex figures at a time when it was forbidden by law.
Swiss painter and model Rolf Duerig gracefully poses in front of an imposing Roman bust in this image from 1949.