Bieke Depoorter (°1986, Belgium) received a master’s degree in photography at the Royal Academy of Fine Arts in Ghent in 2009. Three years later, when just 25 years old, she was made a nominee of Magnum Photos, of which she was named a full member in 2016. Depoorter has won several awards and honors, including the Magnum Expression Award, The Larry Sultan award and the Prix Levallois. She has published four books: Ou Menya, I am About to Call it a Day, As it May Be, and Sète#15. She worked together with Aperture, Editions Xavier Barral, Edition Patrick Frey, Lannoo, Hannibal and Le bec en l’air to publish these books.
The relationships Depoorter establishes with the subjects of her photographs lie at the foundation of her artistic practice. Accidental encounters are the starting point, and how these interactions naturally develop dictates the nature of Depoorter’s work. But several recent projects have been the result of Depoorter questioning the medium. In As it May Be, she gradually became more aware of her status as an outsider, both culturally and as a photographer. So, in 2017, she revisited Egypt with the first draft of the book, inviting people to write comments directly onto the photographs. In Sète#15, and also Dvalemodus, a short film she co-directed, she began to see her subjects as actors. Although she portrayed them in their true environments, she tried to project her own story onto the scenes, fictionalizing the realities of her subjects in a way that blurred the lines between their world and hers.At the age of 15, Alex Majoli joined the F45 Studio in Ravenna, working alongside Daniele Casadio. While studying at the Art Institute in Ravenna, he joined Grazia Neri Agency and traveled to Yugoslavia to document the conflict. He returned many times over the next few years, covering all major events in Kosovo and Albania. Majoli graduated from art school in 1991. Three years later, he made an intimate portrayal of the closing of an asylum for the insane on the island of Leros, Greece, a project that became the subject of his first book, Leros. In 1995 Majoli went to South America for several months, photographing a variety of subjects for his ongoing personal project, Requiem in Samba. He started the project Hotel Marinum in 1998, on life in harbour cities around the world, the final goal of which was to perform a theatrical multimedia show. That same year he began making a series of short films and documentaries. After becoming a full member of Magnum Photos in 2001, Majoli covered the fall of the Taliban regime in Afghanistan, and two years later the invasion of Iraq. He continues to document various conflicts worldwide for Newsweek, The New York Times Magazine, Granta and National Geographic.