Description

Born in Munich, Erich Hartmann moved to New York City at the end of WWII. It was here that he found his photographic voice. Brooklyn Bridge was the subject of Erich’s first major exhibition; the bridges linking Manhattan to the rest of the world were the subject of his last assignment and were published in a Munich magazine after his death. Here, a man walks near the Brooklyn Bridge in 1955.

A large portion of my work is concerned with people because people are the most inventive and news-making part of our lives

Elliott Erwitt

Erich Hartmann was 16-years-old when he went with his family in 1938 to Albany, New York, as a refugee from Nazi Germany.

The only English speaker in the family, he worked in a textile mill, attending evening high school and later taking night courses at Siena College. Hartmann enlisted in the US Army, serving in England, France, Belgium and Germany. At the end of the war, he moved to New York City, where he worked as an assistant to a portrait photographer and then as a freelancer.

Hartmann first became known to the wider public through his work for Fortune magazine in the 1950s. His poetic approach to science, industry and architecture shone through the photo essays Shapes of Sound, The Building of Saint Lawrence Seaway and The Deep North. Throughout his career, he pursued many long-term personal projects, and photographic interpretations with literary echoes. In his later years, he photographed the remains of the Nazi concentration camps, resulting in a book and exhibition, In the Camps. At the time of his death, he was engaged in a photo project, he called Music Everywhere.

© Erich Hartmann | Magnum Photos

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