Description

Elliott Erwitt is known for his deeply humanistic photography. He once said of his work: “Pictures have to do with heart and mind and eye and they have to communicate and as long as they do that, it’s valid.” When Erwitt took this picture in North Carolina in 1950, segregation was still legal. The image shows rather than tells, one of Erwitt’s great skills, and the viewer is left with many questions. It would be another 14 years before public facilities were finally integrated here, with the passage of the national Civil Rights Act of 1964.

It's about reacting to what you see, hopefully without preconception

Elliott Erwitt
© Elliott Erwitt | Magnum Photos

Born in Paris in 1928 to Russian parents, Elliott Erwitt spent his childhood in Milan, then emigrated to the US, via France, with his family in 1939. As a teenager living in Hollywood, he developed an interest in photography and worked in a commercial darkroom before experimenting with at Los Angeles City College.

In 1948, he moved to New York and exchanged janitorial work for film classes at the New School for Social Research. Five years later, Erwitt joined Magnum Photos and worked as a freelance photographer for Collier’s, Look, LIFE, Holiday and other luminaries in that golden period for illustrated magazines.

He has made significant bodies of work in America, Cuba, the UK, France, Italy and beyond. In the 1970s, he produced several notable documentaries and in the 1980s eighteen comedy films for HBO.

Erwitt has become known for benevolent irony, and for a humanistic sensibility traditional to the spirit of Magnum.

© Elliott Erwitt | Magnum Photos

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