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A journal written at the third person that seeks to depict Antoine d’Agata’s quest, “the inexorable course from void to void”. A literary and photographic experiment where words, sometimes descriptive, sometimes poetic, intersect with images in a narrative continuity. An example of the photographer’s existential choice and form of resistance which leads toward the subject’s disappearance and the ego’s negation within the neutral spectrum of the image while insisting on an intimate involvement with its matter and a perfect superposition of art and life.
Texts and photos by Antoine d’Agata. Edited by Giuliana Prucca. Text in English, French and Italian. This is the first occasion that many of the texts have been translated into English. 25 duotone and 2 colour plates.
A beautifully presented mainly text production featuring a hidden fold-out section containing a poster (size 85x64cm).
Signed by Antoine D’Agata
Bright, tight, clean copy with fine poster held in rear pocket (as issued), and housed in the often missing p’s original paraffin bag with wrinkling from shipping and storage.