Drawn from archival holdings, this exhibition revisits some of the Guardian’s and The Observer’s most distinctive Magnum commissions. It includes a 1948 vintage print of Picasso and his son, Claude, taken by Robert Capa, and Philip Jones Griffiths’ series about the 1960 Ban the Bomb march from Aldermaston to Trafalgar Square.
The archival material illustrates the evolution of the standalone picture-story, a Fleet Street stable since the introduction of photography in the early 20th century. In the 1960s, the full- and half-page photo essay migrated from the broadsheet to the newly introduced colour supplements where it often extended over several spreads. In an era when the photograph has become ubiquitous, it is hardly a surprise that the photo essay has declined in print media. The Guardian’s daily Eyewitness is one of the very few instances where the power of the individual image is celebrated in a conscious, backward nod to the glory days of Fleet Street.
In addition to the material from the GNM archive, the exhibition draws on Magnum’s own collections and includes prints from stories made for the Guardian and The Observer that were not selected by picture editors at the time.
The exhibition is curated by Robin Christian.
Join us in celebrating Magnum’s 70th anniversary throughout 2017. Bookmark our anniversary hub to find seminal stories, new work, and discover what Magnum events are happening near you.